Articles
by or Interviews with MM
"Violating Space", an interview
by Margot Mifflin; NY Talk; April 11-24, 1984; pp.16-17.
Articles
about MM in Magazines/Newspapers
"The Critics on The
Games"; BAM’s Next Wave on Tour ; 1984.
"The Games"; ed. Roger W.
Oliver; Next Wave Festival Journal 1984; pp. 26-27.
"Meredith Monk's Gift of
Vision" by Deborah Jowitt; The Village Voice; October 9, 1984; "The
Games."
"Monk Enjoys Seattle Audiences"
by Melinda Bargreen; The Seattle Times; May 3, 1984.
"A Monk of All Trades" by
Bill Minutaglio; Dallas Morning News; November 1, 1984.
"Peers Mourn Musician's Death"
(Collin Walcott); The Daily Star; November 15, 1984; p. 21.
"Renaissance Ms. - Meredith
Monk Dazzles Her Public With Multimedia Works That Defy Classification"
by Allen Robertson; Ballet News - The Magazine of Dance; Vol. 6, No.
4; October 1984. pp. 28-31.
"Speaking of Music";
Brochure for the Exploratorium, San Francisco, 1984.
"Three Evenings of Performance
at The Museum of Modern Art" - Flyer advertising "Dolmen
Music"; 1984.
"Up Close"; Vanity Fair";
October 1984; "The Games."
"Violating Space", an Interview
by Margot Mifflin; NY Talk; April 11-24, 1984; pp.16-17.
Chapters
in Books about MM
"Dances for the Voice" by
Reinhard Oehlschlagel; Neuland: Ausatze zur Musik der Gegenwart: 4;
Neuland Musikverlag Herbert Henck; Germany; 1984; pp. 140, 234-238,
237, 303; In German.
"Il Teatro di Meredith
Monk" and "Colloquio con Meredith Monk" by Franco Quadri;
Il Teatro Degli Anni Settanta/Invenzione di un Teatro Diverso/Kantor,
Barba, Foreman, Wilson, Monk, Terayama; Giulio Einandi Editore; 1984;
pp. 191-247; includes extensive bibliography.
"Invisible Theater: The Music
of Meredith Monk" by Gregory Sandow; The Musical Woman, An International
Perspective, 1983; ed. Judith L. Zaimont; Greenwood Press; Westport,
CT; 1984; pp. 147-150, 12, 31, 43; Includes discography & phrases
of scores of "Quarry" & "Tablet".
Reviews
"3001: a Space Odyssey" by
Allen Robertson; Voice; January 10, 1984; review of "The Games."
"Dance - Meredith Monk/Ping
Chong At Brooklyn Academy of Music Opera House" by Deborah Jowitt;
The Village Voice; October 23, 1984.
"The Evil and the Truly Bad"
by Deborah Jowitt; The Village Voice; October 23, 1984; review of
"The Games."
"'Games' a winner" by Rob
Baker; Daily News; October 11, 1984; review of "The Games."
"'Games' Future People May
play" by Wayne Robins; Newsday; October 11, 1984; Part II/37.
"'The Games' by Winer; USA
TODAY; October 11, 1984; p. 5D.
"Games That Meredith Plays"
by Laura Shapiro; Newsweek; October 29, 1984.
"Meredith Monk"; PCVA - Portland
Center for the Visual Arts Newsletter; 1984.
"Meredith Monk Opens the
Next Wave" by John Rockwell; The New York Times; October 7, 1984;
review of "The Games."
"Monk's Millenarian Games"
by Michael Feingold; Voice; October 23, 1984; p. 111; review of"The
Games."
"Next Wave by Meredith Monk"
by Donna Perlmutter; Los Angeles Times; April 28, 1984; Part V, p.
3.
"The Recombinant Music Theater
of Meredith Monk" by S. J. Kurtz; The Daily of the University of Washington;
Vol. 91, No. 104; May 4, 1984.
"Reminder of the Future -
"The Games" by Meredith Monk and Ping Chong at the Berlin Schaubuhne"
by Norbert Servos; Ballet International; February 1984.
"Theater: Next Wave Festival
Opens" by Mel Gussow"; The New York Times; October 11, 1984; review
of "The Games."
Articles
by or Interviews with MM
Draft of
an Interview with Meredith Monk and Others by Marcia B.Siegel, The
Kitchen; 1983.
"An Interview
with Meredith Monk" by Robert Hurwitz; ECM Records, New York; 1983.
Articles
about MM in Magazines/Newspapers
"A Haunting Portrait of 'Ellis
Island'" by Christine Temin; The Boston Globe; February 2, 1983.
"International Woman"; Shori
- A Newsletter of Style and Culture from Shiseido; Summer 1983.
"Is 'Performance' a New Form
of Art?" by John Rockwell; The New York Times; August 14, 1983.
"Meredith Monk - The Education
of the Girlchild" by Dr. Ronit Land; Israel Dance; 1983; In Hebrew.
"Neue Tone aus der Neuen
Welt" -Ein Portrait von Birgitta Ashoff; Bayerisches Fernsehen
Kultur und Naturwissenschaften (Redaktion: Kunst und Literature);
November 20, 1983; Documentary made for TV.
"The Press and Meredith
Monk/The House" - a list of quotes about Meredith Monk.
"Public TV - America's Soapbox
For Individual Opinion" by Arthur Unger; The Christian Science Monitor;
January 28, 1983; "Ellis Island."
"Meredith Monk/The House
Newsletter # 2; Fall, 1983.
"Post Modern Dance in
New York/Im Vergleich mit dem Deutschen Tanztheater" by Eva-Elisabeth
Fischer; FonoForum; November 11, 1983.
"Transformative Aspects of
Meredith Monk's 'Education of the Girlchild' by Marianne Goldberg;
Women and Performance: A Journal of Feminist Theory; Spring/Summer,
1983; pp. 19-28.
Mentions,
Photographs, etc... in Books
Toga Festival '82: First
International Theater Festival in Toyama; Photo by K. Furudate, M.
Watanabe, M. Nagaoke; Japan; 1983; p. 66-73; (Superb) Photographs
of "Education of the Girlchild".
Chapters
in Books about MM
"Education of the Girlchild
1972-1973" ed. Moira Roth; The Amazing Decade: Women and Performance
Art in America 1970-1980; Astro Artz, Los Angeles, 1983; pp. 116-117.
Reviews
"Happenings of Vinyl" by
John J. Quinn; Happenings (Pennsylvania); October 1983.
"Memories for Today"
by [Author unknown]; Tageszeitung; December 1, 1983; English translation
of review of "The Games" at The Schaubuhne, Berlin.
"Meredeth Monk's Turtle Dreams"
by Jim O'Quinn; Entertainment New York; July 1983.
"Meredith Monk - Turtle Dreams"
by Kevin Whitehead; City Paper (Baltimore); October 14, 1983.
"Meredith Monk - Turtle Dreams";
Musician; December 1983.
"Meredith Monk Turtle Dreams"
by Christopher Connelly; Rolling Stone; December 8, 1983.
"Meredith Monk: Turtle Dreams
(Waltz), 1983. Produced by Susan Dowling, Video direction by Ping
Chong, American Film Institute, Washington, DC, October 1983" by Phyllis
Rosenweig; Washington Review; December 1983/January 1984.
"Recent Record Releases -
Classical" by Peter Goodman; Sunday Newsday - The Long Island Newspaper;
Nassau Edition; November 13, 1983.
Articles
by or Interviews with MM
"Entretien avec Meredith
Monk" by Mariella Guatterini; Theatre Public; 4 Trimestre, 1982.
"Meredith Monk" by [Unknown];
Across; September 1982; pp. 74-75; Interview in Japanese.
"Meredith Monk Nel Tempio
della Musica Operistica" by Alberta Gnugnoli; Emilia-Romagna;
December 11, 1982; p. 37; Interview with Meredith Monk about "Specimen
Days".
"Meredith Monk/Specimen
Days" by Meredith Monk; Theatre National de Strasbourg Newsletter;
previewing "Specimen Days" on October 13, 17; 1982; Text
in French.
"Shinso no Engeki" by Masao
Yamaguchi; Chi No Kariudo; Iwanami-Shoten; Tokyo; 1982; pp. 187-206;
Interview and Critique; in Japanese; Book title translation- Hunter
of Knowledge: 20th Century Intelligence Expedition; Chapter- "Depth
of Theater".
"La Voix de Meredith
Monk" by Renata Molinari; Theatre Public; 4 Trimetstre, 1982
[written in 1981].
Articles
about MM in Magazines/Newspapers
"82-83: Ce Que Nous
Reserve Le T.N.S"; Gault et Millau; 1982; "Specimen Days."
"Anmerkungen Zum Programm"
by John Rockwell; Meredith Monk/Kompositionen Und Filme; (Radio Program/WDR);
October 2, 1982.
"Avant Garde Opera" by John
Rockwell; Diversion; November, 1982.
"Classically Speaking" by
Mark Swed; The Los Angeles Times; [Date Unknown], 1982; preview of
Music Concert at LA County Museum of Art.
"A Day in the Life...Meredith
Monk’s 'Specimen Days'" by John Gray; [Publication &
Date Unknown].
"Festival d’Automne
a Paris, 1982" by Alain Girault; Theatre Public; 4 trimestre,
1982.
"Film Translations of Meredith
Monk's Work" by Mindy Aloff; Millennium Film Journal; Nos. 10/11;
Fall/Winter, 1981-82.
"The House Foundation
for the Arts, Inc." Brochure; 1982-83.
"How the Judson Theater Changed
American Dance" by Jack Anderson; The New York Times;; January 31,
1982; p. 24-D.
"Jazz, rock, blues and space
age" by Regina Hackett; Seattle Post-Intelligencer; January 15, 1982;
p. D-3; "Dolmen Music" and "Quarry."
"A Lexicon of Vocal Coloration"
by David Landis; City Arts Monthy; January 1982; "New and Unusual
Music Series."
"Meredith Monk" by Renate
Klett; Theater Heute; July, 1982.
"Meredith Monk Brings Originality
to the Original Instrument" by Paul Hertelendy; San Jose Mercury;
January 29, 1982; p. 5C
"Meredith Monk/The House";
Walker Art Center Brochure/Newsletter; March, 1982.
"Meredith Monk in Bing
Concert" by Lewis Segal; Los Angeles Times; February 4, 1982.
"Meredith Monk/Una Voce,
Il Teatro" by V.O.; Teatro Due Programma 1982-83; "Specimen
Days."
"Meredith Monk: Une
Invitation au Reve" by Marie Brassart-Goerg; Dernieres Nouvelles
D’Alsace; No. 242; October 16, 1982; p. R6 VII; "Specimen
Days."
"New York Dance" by [author
unknown]; The Washington Post; January 10, 1982; p. C4.
"Notes: Meredith Monk"
by David Sterritt; San Francisco Symphony/New and Unusual Music at
the Galleria; Concert: January 29, 1982 at the Showplace Galleria.
"Participating in International
Theatre Festival, Japan" by Mr. Ohira; OCS News; August 13, 1982;
Article in Japanese.
"Petit Lexique de L’Avant-Garde
Americaine/A l’Usage des Amateurs de Musique, de Danse, de Theatre,
et de Bien d’Autres Choses" by Guy Scarpetta; [Publication
Unknown]; October 23, 1982.
"San Francisco International
Video Festival"; Video 80; Fall, 1982; "Ellis Island."
"Some Observations on Meredith
Monk's Specimen Days" by Kenneth Bernard; Theater (Yale School of
Drama/Yale Repertory Theater); Vol. 13, No. 2; Spring 1982; pp. 88-90;
"Specimen Days."
"Stasera al Regio <<Specimen
Days>>" by [Author Unknown]; Gazzetta di Parma; October
28, 1982.
"Superstar of the Performing
Arts" by [Author unknown]; Across; No. 100; July 1982; p. 87; Article
in Japanese.
"Theatre is Imagination"
by [Unknown]; Tokyo News; August 20, 1982; in Japanese.
"Tim Page Talks with Teri
Whit" - interview with Teri Whit.
"Au TNS: <<Meredith
Monk>>"; L’Alsace ou Bas Rhin; October 16, 1982; "Specimen
Days."
"Whatever It Is, It's An
Artistic Phenomenon" by Allan Ulrich; San Francisco Examiner; January
1982; preview to appearance at SF Symphony.
"Wie Man Ein Lied Tanzt/Anmerkungen
Zur Musik von Meredith Monk" by Deborah Jowitt; Meredith Monk/Kompositionen
und Filme; (Radio Program/WDR); October 2, 1982.
Chapters
in Books about MM
"Meredith Monk: La Femme
Cent-Voix" by Guy Scarpetta; Festival D'Automne a Paris 1972-1982;
ed. Jean-Pierre Leonardini et Marie Collin, Josephine Markovits; Temps
Actuel; 1982; pp. 273 & 276.
"Shinso no Engeki" by Masao
Yamaguchi; Chi No Kariudo; Iwanami-Shoten; Tokyo; 1982; pp. 187-206;
Interview and Critique; in Japanese; Book title translation- Hunter
of Knowledge: 20th Century Intelligence Expedition; Chapter- "Depth
of Theater".
Reviews
"Akustische Rauchzeichen
aus New York", by Wolfgang Sandner; Frankfurter Allgemeine; October,
1982.
"Avant-gardist Monk More
Than a Novelty", by R.M. Campbell; Seattle Post-Intelligencer; January
16, 1982.
"'Dolmen Music' MEREDITH
MONK", by Richard S. Ginell; Daily News (ECM INFO); April 23, 1982;
review of "Dolmen Music."
"Dolmen Music-Meridith Monk";
Scott Gudell; Freetime (Rochester) (ECM INFO); January 6-20, 1982;
review of "Dolmen Music."
"Engaging Concert by Avant-Garde
Composer", by Carole Beers; Seattle Times; January 16, 1982.
"Exhibit A and Possible B
- Meredith Monk's Specimen Days"; by Marcia B. Siegel; The Soho News;
pp. 54 & 57; December 23, 1981 - January 5, 1982.
"High priestess of...what?
Meredith Monk's Fans, Bewildered or Not, Revel in her Music" by Donna
Perlmutter; L.A. Herald Examiner; February 2, 1982; p. B-1; "Music
Concert with Film."
"An Iconoclast's Iconoclast",
by Janice Ross; Tribune/Today; January 4, 1982; pp. H 4-5; review
of "Specimen Days."
"Live! Meredith Monk- 'Education
of the Girlchild'" by [Unknown]; Ryukou Tsu Shin- Fashion News; No.
226; November 1982; in Japanese.
"Ma il Vero <<Specimen
Days>> Lo Ha Vissuto Il Pubblico" by Antonio Mascolo; Gazzetta
di Parma; October 30, 1982; p. 10; review of "Specimen Days."
"Meredith Monk" by [Author
Unknown]; Live (ECM INFO); May 6-7, 1982; review of "Dolmen Music."
"Meredith Monk" by [Author
Unknown]; Record World (ECM INFO); February 13, 1982; review of "Dolmen
Music."
"Meredith Monk" by John Fordham;
The Guardian; October 8, 1982; review of "Solos for Voice and Piano
72/73, Turtle Dreams, Dolmen Music."
"Meredith Monk"
by Renate Klette; Theatre Heute; July, 1982; review of "Specimen
Days."
"Meredith Monk" by Roger
Downey; The Weekly (ECM INFO); January 6-12, 1982; review of "Dolmen
Music."
"Meredith Monk - Almeida"
by Richard Williams; The Times; October 11, 1982.
"Meredith Monk at PCVA -
Monk's Voice" by Sabrina Ullmann; Wilamette Week's Fresh Weekly;
March 9-15, 1982.
"Meredith Monk au TNS/Reperages
D’un Monde Qui Est Duel" by Phillipe Avril; Le Nouvel Alsacien;
October 16, 1982.
"Meredith Monk: Dolmen Music"
by [Author Unknown]; Mademoiselle Magazine; [Month Unknown], 1982.
"Meredith Monk 'Dolmen Music'
(ECM)" by [Author Unknown]; Report (ECM INFO); March, 1982; review
of "Dolmen Music."
"Meredith Monk: Dolmen Music"
by C.S.; Oakland Tribune (ECM INFO); January 24, 1982; review of "Dolmen
Music."
"Meredith Monk Orchestrates
Great Sweeps of Song, Liberated From All Boundaries" by Joan Connell;
The Bellingham Herald (ECM INFO); January 15, 1982.
"Meredith Monk's Specimen
Days" by Cate Miodini; The Downtown Review; Fall, Winter, Spring,
1981-82; Vol. III, Nos. 1 and 2; pp. 41-42.
"Meredith Monk Takes Her
Voice to the Edge" by Matt Groening; The Reader; February 5, 1982;
p. 13; "Music Concert with Film."
"Meredith Monk: Une Invitation
au Reve" by Marie Brassart-Goerg; Dernieres Nouvelles D'Alsace; No.
242; October 16, 1982.
"Monk/Bley" by [Author Unknown];
Gallery (ECM INFO); March, 1982; review of "Dolmen Music."
"Monk Slips In To a Full
House" by Richard Pontzious; S.F. Examiner; January 30, 1982.
"New Music and New Ways to
Listen" by John Rockwell; The New York Times; August 2, 1982; New
Music America Festival.
"Off-Broadway" by [Author
Unknown]; Pioneer Press (St. Paul, MN); [Date Unknown]; review of
"Specimen Days."
"Performance - Theater of
the Abstract" by David Skarjune; City Pages; March 4, 1982.
"Pleasures Anyway" by Gregory
Sandow; The Village Voice; January 27-February 2, 1982; p. 68; review
of "Specimen Days."
"Powerful Mix of Music, Film
and Motion" by Marilyn Tucker; San Francisco Chronicle; February 1,
1982.
"A Propos de M. Monk
a Toyama" by Kuniko Satonobu; Le Clebs/Les Voix Sans Maitre;
No. 14; September, 1982; Text Traduit par Isabelle Charrier.
"'Quarry' Is a Movie That
Is Devastatingly Haunting" by Glenn Giffin; Denver Post; May
13, 1982.
"A Radical Vision" byIan
Strasfogel; Opera News; January 30, 1982; pp. 9-11; Article about
Russian Painter Vassili Kandinsky - Mentions Meredith Monk.
"Record Reviews - Meredith
Monk" by [Author Unknown]; Downbeat; March, 1982; "Dolmen Music."
"Reich/Monk" by [Author Unknown];
Jazz Dispatch; January/February 1982; "Dolmen Music."
"Se Le Nostre Emozioni
Fosseroi Sogni" by Ugo Volli; La Repubblica Spettacoli; October
30, 1982; review of "Specimen Days" and "Recent Ruins."
"'She Dances Alone'...'Quarry'"
byIrene Clurman; Rocky Mountain News; May 5, 1982.
"She's Putting Everything
into Music" by W. Kim Heron; Detroit Free Press; April 1, 1982; review
of "Specimen Days."
"Some Dance Observations"
by Lillie F. Rosen; Wisdom's Child New York Guide; January 11-January
17, 1982; review of "Specimen Days."
"Specimen Days" by Ginnie
Cocuzza; The Villager; January 7, 1982; p. 13.
"'Specimen Days': The Past
and Future" by David Sterritt; Los Angeles Times (ECM INFO); January
2, 1982.
"The Twilight of Romance"
by Marcia Pally; New York Native; January 4-17, 1982; review of "Specimen
Days."
"Virtuoso - Monk Delights
in Song, Film" by Susan Slobojan; The Detroit News; April 2, 1982.
"Whatever It Is, It's An
Artistic Phenomenon" by Allan Ulrich; Examiner; [Date Unknown]; "New
and Unusual Music at the Galleria."
"What is New Music (In) America?"
by Merle Ginsberg; Alive; [Date Unknown]; review of "Turtle Dreams."
"When Meredith Monk Sings,
the Whole World Understands" by David Sterritt; The Christian Science
Monitor; January 18, 1982; review of "Specimen Days."
Articles
by or Interviews with MM
"An Interview with Meredith
Monk", by Jan Greenwald; EAR Magazine; April - May, 1981; p. 5.
"Ellis Island",
by Meredith Monk; Das Kleine Fernsehspiel; 1981; pp. 55-56.
"Shinso no Engeki", by Masao
Yamaguchi; Shin Geki; May 1981; pp. 53-73; interview and article in
Japanese.
"Vedranno La Guerra Ballata
Sulle Punte", by Marinella Guatterini; L'Unita; [date unknown]; p.
3.
Articles
about MM in Magazines/Newspapers
"Artists, Rockers Join Forces",
by Kristine McKenna; The Los Angeles Times; September 6, 1981.
"Bay Area Dance Film Festival",
by Susan Shepard; ARTBEAT; May/June, 1981; "16 Millimeter Earrings."
"Capturing Dance on Film",
by Cathy Curtis; Independent and Gazette; June 25, 1981; "16 Millimeter
Earrings."
"Collaborations One", by
Buddy Harris; The College Voice; March 27, 1981; Vol. IV, No. 14;
performance at Connecticut College.
"Cornucopia of New Art Spills
Over", by Doris Whitbeck; The Hartford Courant; February 1, 1981.
"Dance Picks", by Lois Draegin;
The Soho News; " December 8, 1981.
"Film as a Dance Partner",
by Allan Ulrich; San Francisco Examiner; June 21, 1981; "Quarry" and
"16 Millimeter Earrings."
"Holiday Dance Stocking Offers
Choices From Classic to Modern" by Jennifer Dunning; The New York
Times; December 11, 1981; p, C1.
"Meredith Monk", by Howard
Charles Donnelly; The Keystone; April 9, 1981; "Plateau Series" and
"Quarry."
"Monk Puts Magic Into Opera
Without Libretto", by Linda Winer; Daily News; December 14, 1981.
"The Mystery of Monk", by
Ellen W. Jacobs; Horizon - The Magazine of the Arts; December, 1981;
"Specimen Days."
"Newer Than New", by Allen
Robertson; Ballet News; October 1981; p. 21.
"Sarah Lawrence", by Georgette
Gouveia; Reporter Dispatch; September 9, 1981.
"Shinso no Engeki," by Masao
Yamaguchi; Shin Geki; May 1981; pp. 53-73; Interview and article in
Japanese.
"Verdranno La Guerra
Ballata Sulle Punte", by Marinella Guatterini; L’Unita;
[Day/month unknown], 1981; p. 3.
"What is American about American
Modern Dance", by Judith Brin Ingber; transcript of speech from: Dance
Conference at University of California at Los Angeles of the Dance
History Scholars, Congress on Research in Dance, and the National
Dance Guild; June 22-28, 1981.
Mentions,
Photographs etc... in Books
"American Connection", by
Guy Scarpetta; Eloge du Cosmopolitisme; Bernard Grasset; Paris; 1981;
pp. 224, 253, 259, 260.
Scores: An Anthology of
New Music, by Roger Johnson; Schirmer Books; New York; 1981; pp. 64,
111, 334; scores of "Change for Four Voices" & "Paris", plus bio.
Soundings: Neuberger Museum;
State University of New York at Purchase; Purchase; 1981; Exhibition:
20 September- 23 December, 1981; p. 70; Photograph of "Silver Lake
with Dolmen Music, 1980".
Women in American Theatre;
ed. Helen Krich Chinoy & Linda Walsh Jenkens; Crown Publishers;
New York;1981; pp. 234, 364, 366-367, 378.
Chapters
in Books about MM
"In and Out of Kutztown -
A Documentation of the Art Series Program 1974-1981", by James F.
L. Carroll; Kutztown State College; 1981; photos of February 1-2,
1979 performance.
Reviews
"An Amalgam of Dance", by
Zofia Smardz; The Washington Star; March 25, 1981; review of "Travelogue."
"Ausbrecher/Merkwurdiges
von Leuten und vom Polnischen Volk", by Hans-Klaus Jungheinrich;
Frankfurter Rundschau; August 15, 1981; review of "Dolmen Music."
"Carla Bley/Meredith Monk
- Eccentric Circles", by Peter Lengsfelder; The Colorado Daily (ECM
INFO); October 29, 1981.
"Christgau's Consumer Guide",
by Robert Christgau; Village Voice (ECM INFO); November 25-December
1, 1981; review of "Dolmen Music."
"Cities of the Dance", by
Suzanne Levy; The Washington Post; March 25, 1981; p. B-1; review
of "Travelogue."
"Creative and Inventive",
by Marcia Kredenster; The Peak; February 27, 1981; performance at
SFU.
"Dance in Review - Images
Strange and Powerful", by Susan Goldstein; The Cornell Daily Sun;
March 6, 1981; p. 8.
"Dance: 'Specimen Days' By
Miss Monk at Public", by Anna Kisselgoff; The New York Times (ECM
INFO); December 1981; review of "Specimen Days."
"Dolmen Music." The Daily
Californian (UC Berkeley); November 11, 1981.
"Dolmen Music - Meredith
Monk"; Fairfield County Advocate (ECM INFORMATION); December 30, 1981;
review of "Dolmen Music."
"Entering Monk's World",
by Roy M. Vestrich; Valley Advocate; March 11, 1981; Vol. VII, No.
30; review of "Plateau Series" and "Anthology."
"Gesture and the Feeling
Within", by Philip Greene; The Ithaca Times; March 5-11, 1981;
Vol. III, No. 34; p. 14; review of "Paris" and "Plateau #3."
"Grenzganger Nr. 1:
Meredith Monk"; Kik Magazin; September, 1981;
review of "Dolmen Music."
"Hervorragend",
by Manfred Sack; Die Zeit; August 7, 1981; review of "Dolmen
Music."
"I Hear A Meredith Singing",
by Erika Munk; Village Voice; December 16-22, 1981; review of "Specimen
Days."
"Jazz Short Takes - La Musique
Modern", by Ravi Zabor; Musician Player and Listener (ECM INFO); November,
1981; review of "Dolmen Music."
"Liberty from a Tomb",
by Richard Cook; NME; August 29, 1981; review of "Dolmen Music."
"Meredith Monk"; The Chanttanooga
Times (ECM INFO); December 11, 1981; review aof "Dolmen Music."
"Meredith Monk", by N.W.;
Modern Recording & Music; December 1981; Vol. 7, No. 3; review
of "Dolmen Music."
"Meredith Monk"; The New
York Times (ECM INFO); November 8, 1981; review of "Dolmen Music."
"Meredith Monk: Dancing a
Song", by Deborah Jowitt; Village Voice (ECM INFO); May 20-26, 1981;
review of "Dolmen Music."
"Meredith Monk: a Multimedia
Trip Through American Myth and History", by David Sterritt; The Christian
Science Monitor; December 28, 1981; p. 15; review of "Specimen Days."
"Meredith Monk: Dolmen
Music, ECM 1197" by Thomas Rothschild; Schauplatz; September,
1981.
"Merideth Monk, Doleman Music"
[note incorrect spellings]; The Daily Orange (ECM INFO); December
15, 1981.
"Merideth Monk, Doleman Music"
[note incorrect spellings]; Oceana (Syracuse) (ECM INFO); December
25, 1981; review of "Dolmen Music."
"Meredith Monk: Dolmen Music"
by Manfred Sack; Die Zeit - Hamburg; August 7, 1981; review of "Dolmen
Music."
"Meredith Monk: Dolmen
Music" ; Heilbronner Stimme; September 12, 1981.
"Meredith Monk's Vocal Dances",
by John Piccarelle; Village Voice (ECM INFO); October 28-November
3, 1981; p. 69; review of "Dolmen Music."
"Mischformen Musik,
Die Etwas Bewegt", by Thomas Rothschild; Frankfurter Rundschau;
August 8, 1981; review of "Dolmen Music."
"Mixed Media Monk", by Brent
Starling; The Peak; February 27, 1981; performance at SFU.
"Monk Blends Varied Types
of Music Into Material Audiences Understand", by James E. Sellars;
The Hartford Courant; February 9, 1981; review of "Songs from the
Hill" and "Lullaby No. 2."
"Monk ou Moine?",
by Philippe Conrath; Liberation; [day unknown], 1981; review of "Dolmen
Music."
"Monk's Story", by Stuart
Cohn; The Soho Weekly News (ECM INFO); May 27, 1981; The Space - City
Center.
"Multimedia Show That Explored
a Few of Meredith Monk's Many Worlds", by David Sterritt; The Christian
Science Monitor; June 2, 1981; "Music Concert with Film."
"Music and the Visual Arts
Team Up in Purchase", by John Rockwell; The New York Times; November
27, 1981; review of "Dolmen Music."
"Music Box"; Petra;
September, 1981; review of "Dolmen Music."
"Music: Meredith Monk", by
John Rockwell; The New York Times (ECM INFO); May 19, 1981; "Music
Concert with Film."
"Music: Meredith Monk"
by John Rockwell; The New York Times; May 23, 1981; "Music Concert
with Film."
"Music Review/Meredith Monk
and Film" ,by Wayne Robbins; Newsday; May 21, 1981; "Music Concert
with Film."
"Our History (Click) Printed
on the Turtle's Eye", by Deborah Jowitt; Village Voice; December 16-22,
1981; review of "Specimen Days."
"The Post-Modern Stretch:
Renzi at DTW", by Amy Waterman; The Villager; October 1, 1981; p.
13; music used in dance piece at DTW.
"A Rare Specimen", by Ruggero
Bianchi; Other Stages; December 31, 1981; review of "Specimen Days."
Review of "Dolmen Music";
Cash Box (ECM INFO); September 26, 1981.
Review of "Dolmen Music"
City Paper (Baltimore); November 27, 1981.
Review of "Dolmen Music."
Houston Chronicle (ECM INFO); November 15, 1981.
Review of "Dolmen Music";
Oakland Press (ECM INFO); November 28, 1981.
Review of "Dolmen Music";
Omaha World-Herald (ECM INFO); October 18, 1981.
Review of "Dolmen Music";
The Reader (ECM INFO); September 24, 1981.
Review of "Dolmen Music";
Record World(ECM INFO) September 19, 1981.
Review of "Dolmen Music";
The Spectator (Chapel Hill, NC)(ECM INFO); November 1981.
"Special: Frauen"
by Jutta Kamke; Tip Magazin; September 1981; "Dolmen Music."
Review of Dolmen Music; Twin
Cities Reader (ECM INFORMATION); December 1981; "ECM Jazz Series."
Review of "Songs";
Variety(ECM INFO); November 4, 1981.
"'Specimen' in Daze'", by
Marilyn Stasio; The New York Post; December 18, 1981; "Specimen Days."
"Top-Liste 80/81/Meredith
Monk: Dolmen Music" [Author unknown]; Neue Musikzeitung; [Date unknown].
"Unorthodox Vocalizing";
Big Eye (Bound Brook, N.J.); November 1981; review of "Dolmen Music."
"Vorwartz Ruckwartz
Zu Den Mythen?", by Meinrad Buholzer; Luzerner Neueste Nachrichten;
September 21, 1981; review of "Dolmen Music."
Articles
by or Interviews with MM
"Meredith Monk"; an Interview
with Meredith Monk by David Garland; EAR Magazine; Vol. 5, No. 4;
February-March 1980; pp. 1, 8, 9.
"Meredith Monk - ein
Interview" by Renate Klett.
"Meredith Monk: Min Musik
ar Osynlig Teater", by Marie Olofsson; Dagens Nyheter; October 9,
1980.
"Meredith Monk 'Vessel',
Eine Oper mit dem Schaubuhnenensemble", by Barbel Jaschke; July 11,
1980; Transcription in German of interview on SFB radio station in
Berlin.
"R.E.: CROCE - Letters from
Yyvone Rainer, Meredith Monk, Kenneth King"; LIVE - a Periodical of
Performing Arts Journal Publications; Issue 4 (performance art); 1980;
pp. 18-22.
"Une Laverie Pour Les
Sens", an interview with Jean Pierre Thibaudat; Liberation; February
29, 1980.
Articles
about MM in Magazines/Newspapers
"The Archeology of Consciousness:
Essaying Images", by Bonnie Maranca; PERFORMING ARTS 12 Journal; PAJ12
Vol. IV, No. 3; 1980; pp. 39-49.
"The Croce Variations", by
Zita Allen; Voice; August 13-19, 1980; p. 66.
"Danse/Musik/<<Recent
Ruins>> de Meredith Monk/La Memoire de L’Univers dans un
Spectacle Total", by Lise Brunel; [Publication Unknown]; February
29, 1980.
"Decouvrir Meredith
Monk", by Claire Gravel; Le Devior (Matane, Quebec); November
18, 1980.
Excerpt of an interview with
Bessie Schoenberg in which she speaks about Meredith Monk; [No other
information].
"Hennes Musik ar Osynlig
Teater Utan Ord", by Marie Olofsson; Dagens Nyheter; October
9, 1980.
"Incontro con Meredith
Monk" ; Stampa Serra; [date unknown]; "The Plateau Series."
"In Praise of Rhetoric",
by Michael Feingold; Voice; January 28, 1980; p. 75.
"Intermedia Arts Festival";
[Author unknown]; The New York Times; January 27, 1980; p. D-17.
*"Ma L'Idea Non Arriva",
by Lorenzo Arruga; Il Giorno; February 10, 1980; "Recent Ruins."
"Meredith Monk"
by Franco Quadri; Vogue Italia; February, 1980.
*"Meredith Monk"
by Maria Ulaner; Prenumeration; Nummer 5, 1980.
"Meredith Monk Ensemble"
by [Author unknown]; Klopstuk 80 (Leuven, Belgium); October 14, 1980;
in Flemish.
"Meredith Monk: Il Gioco
della Voce Senza le Parole", by Christian Prigent; Spirali Giornale
Interationalle di Cultura; Anno III, Gennaio 1980.
"Meredith Monk Inszeniert
Ihre Epische Oper Vessel mit und an der Berliner Schaubuhne",
by Renate Klett; Theater Heute; September 9, 1980; "Vessel."
"Meredith Monk, Poete de
la Voix et du Theatre"; Des Femmes Hebdo; February 29-March 7, 1980;
pp. 24-25.
"Meredith Monk/Recent
Ruins", by Guy Scarpetta; Art Press International; March, 1980.
"Meredith Monk und Ensemble";
Berliner Festwochen 80 Brochure; [date & writer unknown].
"Merezen's Fearless Forecast
- New Productions", by Merezen; Other Stages; January 10, 1980; p.
8.
"Modern Opera - Sort Of",
by Gregory Sandow; Voice; October 29-November 4, 1980; p.75.
"New Ways of Dance Making",
by Selma Jeanne Cohen; [publication & date unknown].
"New York, New York: Man
Spricht Uber...Alles, Was Neu Ist In New York. Uber Punk und Poesie,
Talent und Theater, Kunst und Kommerz. In Dieser Saison Spricht Man
Vor Allem Uber..." by [Author unknown]; German Vogue; 1980; p. 157;
brilliant photograph of Meredith in 'Vessel', article in German.
"Orgelmusik, Stimme, Regieanweisung
von Meredith Monk", by Ms. Barbel Jaschke; July 1980; Transcription
of radio program in Berlin, in German.
"The Puzzle of Meredith Monk",
by Barbara Figge Fox; Pittsburgh New Sun; April 3, 1980; p. 4.
*"<<Recent Ruins>>"
Contains 4 sections: "Danse, Musique Chant" and "Archeologie"
by Meredith Monk, "<<The Voice>>" by Sally R.
Sommer (from The Voice, November 25, 1979, and "Un Autre Opera":
an interview with Meredith Monk by Michel Deutsch; 2eme Biennale <<Voix,
Theatres et Musiques d’Aujourd’hui>> 7 Fevrier au
26 Mars.
"So Will Uns Die Schaubuhne
Mal Wieder Fessein"; B.Z.; July 10, 1980; "Vessel."
"Le Theatre Americain", by
Guy Scarpetta; Theatre Public - Decloisonnement Des Arts; January/February
1980; Vol. 31; pp. 4-11.
"Teatro/Recent Ruins
de Meredith Monk", by Franco Quadri; Panorama; February 25, 1980;
"Recent Ruins."
"Trois Americains et L'Europe:
Un Tour du Monde Dans La Tete - Meredith Monk Monte Vessel
a La Schaubuhne", by Rolf Michaelis; Theatre Public; November/
December, 1980; #36; pp. 5-19.
"Why Domestic Ballets Have
Imported Names", by Jack Anderson; [Publication unknown]; January
4, 1980; p. C-6.
Chapters
in Books about MM
"Meredith Monk: Homemade
Metaphors", by Sally Banes; Terpsichore in Sneakers: Post-Modern Dance;
Houghton Mifflin Co., Boston, 1980; pp. 14, 18, 148-167, 169, 214,
253-254.
*"Quarry/Sly Fox", by Ohira
Kazuto; Broadway 1975-1980; [Press ?]; 1980; pp. 78-79; in Japanese.
Reviews
"Dalle Rovine del Passato
un Catastrofico Futuro", by Maria Grazia Gregori and Paolo Petazzi;
L’Unita; February 10, 1980; review of "Recent Ruins".
"Dame Mit Ratseln/Phantasie
Zum Knobein: Finale von Dreiteiler-Oper "Vessel" am Anhalter
Bahnhot", by Heinz Ritter; Der Abend; July 14, 1980.
"Dance" by Deborah Jowitt;
The Village Voice; February 18, 1980; review of "Songs from the Hill"
and "Tablet."
"Dance: 'Friends' and 'The
Ladies' by Jennifer Dunning, "Friends" by Blondell Cummings; The New
York Times; April 27, 1980; review of "Songs from the Hill"
and "Tablet."
"The Dance: Jeff Duncan Celebrates
Anniversaries", by Jennifer Dunning; The New York Times; February
4, 1980; review of "Songs from the Hill" and "Tablet."
"Danse" by A. Nordmann;
Le Matin de Paris; February 29, 1980; review of "Recent Ruins."
"Danse/La Mama et the
House" by Simone Dupuis; Paris Hebdo; February 17, 1980.
"Danse/Meredith Monk
a Nanterre/Melange des Genres" by F.D.; Quotidien de Paris; March
2, 1980; review of "Recent Ruins."
"Der Anhalter Bahnhof
Kommt Auch Zum Zug"; BZ; July 15, 1980; review of "Vessel."
"Die Heilige Johanna
der Bahnhofe/Meredith Monk’s Schaubuhnen-Show 'Vessel' in Berlin-Kreuzberg",
by Sibylle Wirsing; FAZ; July 15, 1980.
"Eine Stimme fur die
Magie", by Rudiger Schaper; Der Abend; October 6, 1980; review
of "Dolmen Music."
"Eine Theater-Traumzeit
mit Meredith Monk", by Renatte Klett; Der Spiegel; November 30,
1980; review of "Vessel."
"Geniale e Semplice",
by Piero Perona; Stampa Sera/Spettacoli; February 21, 1980.
"Gli Archeologi della
Monk Scavano Anche nel Futuro", by Roberto De Monticelli; Corriere
Della Sera; February 10, 1980.
"Home Again"; The Minority
Report; 1980; review of "Songs from the Hill" and "Tablet."
"Intermedia - An Avant-Garde
Festival", by Mark Deitch; The New York Times; January 27, 1980;
review of "Fear and Loathing in Gotham."
"Johanna in the City",
by MAT; Tip Magazin; July 17, 1980; pp. 15-16; review of "Vessel",
in German.
"Johanna Geht in die
Irre", by Gunther Grack; Der Tagesspeigel Feulleton; July 15,
1980; p. 4; review of "Vessel."
"Kuriose Wander-Oper
drei Akten", by F.L.; Berliner Morgenpost; July 13, 1980; review
of "Vessel."
"La Pantomima Degli
Archeologi", by Domenico Rigotti; Avvenire; February 10, 1980;
review of "Recent Ruins."
"Le Magie Monk",
by Jean-Pierre Thibaudat; Liberation; February 29, 1980; review of
"Recent Ruins."
"Lo Spazio Multipo di
Meredith Monk", by Mario Gamba; Manifesto; February 10, 1980;
review of "Recent Ruins."
"The Magic of Monk", by Alan
M. Kriegsman; Washington Post; April 15, 1980; "Songs from the Hill",
review of "Vessel Suite" and "Tablet."
"MEDIADANCE", by Marsha B.
Siegel; The Soho Weekly News; March 5, 1980; p. 45; review of "16
Millimeter Earrings".
"Meredith Monk a Nanterre/Un
Ballet Inspire par des Ruines"; Quotidien de Paris (Q); February
27, 1980; review of "Recent Ruins."
"Meredith Monk, Archeologa
del Sapere Sensitivo", by Oliviero Ponte di Pino; Manifesto;
February 10, 1980; review of "Recent Ruins."
"Meredith Monk et du
Theatre"; Des Femmes en Mouvement; February 29, 1980.
"Meredith Monk in Concert",
by Barbara Figge Fox; Pittsburgh New Sun; April 10, 1980; p. 13.
"Meredith Monk: Recent
Ruins at La Mama", by Cate Miodini; The Downtown Review; Fall-Winter
1979/1980; Vol. 2, Number 1; pp. 32-33.
"Meredith Monk's Program
is Intriguing" ,by Jane Vranish; Pittsburgh Post-Gasette; April
4, 1980; p. 41; review of "Plateau Series."
"Meredith Monk Propone
sue Misteriose <<Rovine>>", by Gastone Geron; Il
Giornale Deglia Spettacoli; February 10, 1980; review of "Recent
Ruins."
"Minimal-Musik mit Urschrei/Meredith
Monk im Theatresall der Hochschule", by Albrecht Dumling; Der
Tagesspiegel/Feuilleton; October 5, 1980; review of "Tablet"
and "Dolmen Music."
"Monk Begins a 3-Day Stand",
by Florence Pennerra; Washington Star; [Date Unknown]; review of "Songs
from the Hill" & "Tablet".
"Monk: Geometrie Danzate
Con Respiri e Gorgoglii", by Osvaldo Guerrieri; La Stampa; Anno
114; Numero 42; February 12, 1980; review of "Plateau."
"Musique/Meredith Monk",
by Claude Samuel; Le Point; February 25, 1980; review of "Recent
Ruins."
"Musique/Meredith Monk
a Nanterre"; Le Monde; February 21, 1980.
"Musique/<<Recent
Ruins>> de Meredith Monk, a Nanterre/Vers Le Nouvel Opera?",
by Jaques Lonchampt; Le Monde; February 29, 1980.
"Nanterre/Meredith Monk
dans Recents Ruins", by Catherine Clement; Moderato; February
26, 1980.
"A Problem of Categories",
by Joan La Barbara; Musical America; February 1980; p. 12.
Radio Program Review by Barbara
Fox; WGED - FM; aired April 4, 1980; review of "Plateau."
"Recenti Rovine, L’Apocalisse
Secondo Meredith Monk", by Olivero Ponte di Pino; Manifesto;
February 16, 1980; review of "Recent Ruins."
"Recent Ruines de Meredith
Monk"; Nouvelles Litteraires (H); February 21, 1980; review of
"Recent Ruins."
"Recent Ruins"
by Simone Dupuis; Les Seasons de la Danse; [date unknown].
"<<Recent Ruins>>
de Meredith Monk, a Nanterre", by Lise Brunel; Le Matin de Paris
(O); February 26, 1980.
"<<Recent Ruins>>
de Meredith Monk/La Memoire de L’Univers dans un Spectacle Total",
by Lise Brunel; Le Matin de Paris; February 29, 1980.
"Review of Recent Ruins"
by Stuart Morgan; Art Forum; February, 1980.
"Songs from the Hill/Tablet"
by Josep Sole; [Publication Unknown]; [Date Unknown]; CD review; in
Spanish.
"Songs from the Hill" and
"Tablet " by Suzanne Merry; DANCEMAGAZINE; May, 1980.
"Reviews - Meredith Monk";
[Author Unknown]; DANCEMAGAZINE; April 1980; p. 50; review of "Recent
Ruins."
"A Rich Diversity in New
American Music"; [Author Unknown]; The New York Times; April 27, 1980;
review of "Songs from the Hill" and "Tablet."
"<<Rovine>>
della Monk con il Teatro Totale", by Luigi Rossi; La Stampa;
Anno 114, Numero 133; February 10, 1980.
"Schaubuhne: Premieren-Gaste
Irren Durch Kreuzberg, Stars Schnipseln Paprika-Salat", by Volker
Gerth; BILD - Zeitung, Hamburg; July 10, 1980; review of "Vessel."
"Spiegel in Splittern/Ratsalhafte
Collage: Die Ersten Zweu Teile Von Monks 'Vessel' mit der Schaubuhne",
by Heinz Ritter; Der Abend; July 12, 1980.
"Verspielte Bilder Einter
Krausen Phantasie", by Hans-Jorg Von Jena; Spandauer Volksblatt;
July 15, 1980; review of "Vessel."
"Wanderoper Auf Dem
Holzweg", by Friedrich Luft; Berliner Morgenpost; July 15, 1980;
review of "Vessel."
"Wandlungsfahiger Singsang
von Meredith Monk", by Klaus Geitel; Berliner Morgenpost; October
5, 1980; review of "Vessel."
"Weltreise In Den Kopf/Meredith
Monk Inszeniert Ihre Epische Oper 'Vessel' An Drei Schauplastzen",
by Rolf Michaelis; Die Zeit; July 18, 1980.
